Autodesk announced new releases of the company's digital entertainment creation software and middleware. The 2012 versions enable iterative workflows, help users manage complexity and provide new creative tools.
The 2012 Autodesk Entertainment Creation Suites give artists and production facilities access to a powerful range of creative toolsets at exceptional cost savings. Artists can extend their familiar Autodesk 3ds Max or Autodesk Maya software workflow with intuitive tools for sculpting and texture painting, real-time character animation, and effects. Single-step interoperability and more consistent user interfaces in the 2012 software suites help artists to realize their creative potential and optimize productivity by facilitating the use of multiple products and making specialized toolsets more accessible.
Autodesk 3ds Max 2012 delivers a new accelerated graphics core, mRigids for dynamic rigid-body simulations in the viewport and new sculpting and painting enhancements like the Clone brush.
Autodesk Maya 2012 provides significant enhancements to the viewport offering full-screen effects, editable motion trails for animation editing in the viewport, as well as new simulation options.
Autodesk Softimage 2012 provides new procedural ICE modeling, integrated Syflex cloth simulation, stereoscopic capabilities and multiple core software development kit (SDK) additions.
Autodesk Mudbox 2012 delivers enhancements to the painting toolset, innovative new UV and topology-independent workflows, practical posing tools and improved large dataset handling.
Autodesk MotionBuilder 2012 provides new in-viewport stereoscopic display and camera rig, a unified interface and solver for Autodesk HumanIK 4.5 or 2012 middleware, as well as new tools for virtual moviemaking.
Autodesk Flame Premium 2010 combines high-end visual effects and finishing tools with real-time color grading in a single solution. The 2012 release features groundbreaking new tools that help artists integrate ultrarealistic 3D lighting effects into composites; a comprehensive set of effects tools for finishing stereoscopic 3D projects, enhanced finishing workflows with CG pipelines; and a range of new tools designed to make 3D compositing as fast and interactive as traditional 2D compositing.
Autodesk Smoke 2012 offers a timeline-based, all-in-one creative solution for professional finishing on the Mac. The Smoke toolset spans color correction, compositing, 3D visual effects and stereoscopic 3D and features an efficient complementary workflow with Apple Final Cut Pro. The 2012 release contains a redesigned 3D lighting system, and Flame FX, a comprehensive new set of creative and technical tools for common finishing tasks, featuring Damage, Deform, Edge Detect and Pixel Spread.
"Movie, video game and television audiences are demanding more sophisticated content, which is causing production complexity to outpace budgets," said Marc Petit, Autodesk senior vice president, Media & Entertainment. "To remain competitive, studios must improve production efficiency and maximize their creative capabilities.
Our 2012 product releases harness the latest hardware technology to increase performance and deliver stunning graphics in the viewport. We have also enhanced interoperability and simplified pipeline integration, making it easier for our customers to take advantage of specialized toolsets; and provided new creative tools for modern production trends like virtual moviemaking and stereoscopic 3D production."