The new Museum of Liverpool, opening on July 19, will not only tell the story of its importance as one of the World's great ports or about its cultural influence, such as with the Beatles phenomenon. It will also serve as a meeting point for History, the People of Liverpool and visitors from around the globe. Therefore, according to the Architect, Kim Herforth Nielsen, the structure functions as much more than just a Building or a Museum.
The Result of a Rigorous Process
As the largest National Museum to be built in the UK in over 100 years, and situated on a UNESCO World Heritage Site next to Liverpool's famous "Three Graces," Principal Architect and Creative Director at 3XN Kim Herforth Nielsen was fully aware of the magnitude of the challenge, when it came to designing the new Museum of Liverpool.
"This is one of the largest and most prestigious projects in 3XN's 25 year history," Nielsen commented. "The Museum's design is a result of a very rigorous process, where it was of utmost priority to listen to the city inhabitants, learn the city's history and understand the potential of the historical site that the Museum now sits upon."
The result is a dynamic low-rise structure which enters into a respectful dialogue with the harbour promenade's taller historical buildings. This interaction facilitates a modern and lively urban space. The design is reminiscent of the trading ships which at one time dominated the harbour, while the facade's relief pattern puts forward a new interpretation of the historical architectural detail in the "Three Graces." The enormous gabled windows open up towards the City and the Harbour, and therefore symbolically draw history into the Museum, while at the same time allow the curious to look in.
A Nexus
The Museum lies along the Mersey River in the center of Liverpool, and will function as a nexus, in that it physically connects the Harbour promenade with the Albert Dock, which today contains restaurants, museums and boutiques. The outdoor areas around the Museum offer seating with views to the water adding to the dynamic urban environment and serving as a meeting point for locals and visitors alike. The theme is carried through into the Museum of Liverpool's central atrium, with its sculptural sweeping staircase leading up to the galleries further encouraging social interaction. All of these functions result in Kim Herforth Nielsen choosing to describe the Museum as a structure that unites Liverpool.
"This Museum connects the city together on many levels - physically, socially and architecturally," Nielsen explained. "The idea of creating a Museum as a nexus in both physical and symbolic expression has been central from the start. I am very satisfied to see that this ideal is carried out to the full in the completed structure."
Photos: Pete Carr & Philip Handforth